series
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data
Product: Book
ISBN-10: 0-14-044170-0
ISBN-13: 9780140441703
Publisher: Penguin Classics
Country:
Year: January 27, 1977
Size: 12.95 x 19.30 x 2.54cm
Number of pages: 384
Weight: 272gr
Binding: Paperback
ISBN-10: 0-14-044170-0
ISBN-13: 9780140441703
Publisher: Penguin Classics
Country:
Year: January 27, 1977
Size: 12.95 x 19.30 x 2.54cm
Number of pages: 384
Weight: 272gr
Binding: Paperback
editions
Geoffrey of Monmouth, Michael A. Faletra (Eds.)
Broadview Press; 2007
Paperback
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description
Product Description
Completed in 1136, »The History of the Kings of Britain« traces the story of the realm from its supposed foundation by Brutus to the coming of the Saxons some two thousand years later. Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.
Completed in 1136, »The History of the Kings of Britain« traces the story of the realm from its supposed foundation by Brutus to the coming of the Saxons some two thousand years later. Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.
reviews
This IS a trans. of the Latin HRB. 
I'm not sure why another reviewer asserts that »this is not a translation of the Latin HRB.« Thorpe is translating the Latin Historia Regum Britanniae from the Cambridge MS. 1706 (see p. 34 of Thorpe's intro). Geoffrey composed the History of the Kings of Britain ca. 1136-38. It is a medieval chronicle, and it adheres to the standards of historiography of the time. While it does not provide the kind of coherent reading experience one might expect from a modern novel, it does offer early versions of what will become familiar tales. Most Arthurian courses (including mine) begin with excerpts from this book--which places the figure of Arthur and his prototypes somewhere in the twilight between Late Antique history and medieval romantic legend. Later vernacular versions of the HRB will be Layamon's Brut (in early Middle English) and Wace's Roman de Brut (in Anglo-Norman French). Geoffrey was probably Welsh, and some believe that he writes the HRB to please the Norman ascendancy as they have defeated the Anglo-Saxons (the old enemy of the Welsh) a few generations earlier.
I'm not sure why another reviewer asserts that »this is not a translation of the Latin HRB.« Thorpe is translating the Latin Historia Regum Britanniae from the Cambridge MS. 1706 (see p. 34 of Thorpe's intro). Geoffrey composed the History of the Kings of Britain ca. 1136-38. It is a medieval chronicle, and it adheres to the standards of historiography of the time. While it does not provide the kind of coherent reading experience one might expect from a modern novel, it does offer early versions of what will become familiar tales. Most Arthurian courses (including mine) begin with excerpts from this book--which places the figure of Arthur and his prototypes somewhere in the twilight between Late Antique history and medieval romantic legend. Later vernacular versions of the HRB will be Layamon's Brut (in early Middle English) and Wace's Roman de Brut (in Anglo-Norman French). Geoffrey was probably Welsh, and some believe that he writes the HRB to please the Norman ascendancy as they have defeated the Anglo-Saxons (the old enemy of the Welsh) a few generations earlier.
History, Perhaps Not. A Story Worth Reading, Definitely.
»The History of the Kings of Britain«, by Geoffrey of Monmouth, is a piece of literature like no other. Anyone with an interest in medieval tales, ancient battles, and adventurous kings will be right at home while reading this book. If you are looking for accurate historical details of this time from long ago, then this may not be the best source. The book is full of multiple stories consisting of trickery, magic, and conquest. Whether it be King Utherpendragon magically disguising himself as a Duke to be with the woman he longs for, or King Arthur defeating all who stand in his way building an empire that spans from Britain to the heels of Rome itself, the events are all exhilarating to read. Magic defines the events of the stories, only adding to their appeal. Great kings lead their men to victory and there is a lot of backstabbing and destruction. The suspense never ends, and the ending always leaves you wanting more. The urge to continue on to the next story is persistent and that next story is never disappointing. Geoffrey does exaggerate beyond what is humanly possible. Utherpendragon actually acquires the physical likeness of the Duke, and Arthur is able to slay hundreds of men singlehandedly in one attack. With details of troop deployments and excerpts from speeches kings deliver to their men before battle, it becomes obvious it is unlikely that the details are historically accurate. Little time is spent discussing personal relationships; most of the stories revolve around battle. The book is easy reading for the most part. Some of the details offered before any given battle are hard to understand, but they rarely have a significant impact on the course of the plot. The price is more than fair, considering the volume of the book itself and the multitude of fantastic stories. Despite the fact that the work cannot be considered a true source of history, there is still a great deal of educational value. This is one of the earlier surviving medieval works, and it is most likely the first to mention King Arthur; this is considered the source of all King Arthur tales. Based on the events in this book, the well-known »King Arthur and the Knights of the Round Table« story lines were developed. A great book to read, I submit a rating of 5 stars.
»The History of the Kings of Britain«, by Geoffrey of Monmouth, is a piece of literature like no other. Anyone with an interest in medieval tales, ancient battles, and adventurous kings will be right at home while reading this book. If you are looking for accurate historical details of this time from long ago, then this may not be the best source. The book is full of multiple stories consisting of trickery, magic, and conquest. Whether it be King Utherpendragon magically disguising himself as a Duke to be with the woman he longs for, or King Arthur defeating all who stand in his way building an empire that spans from Britain to the heels of Rome itself, the events are all exhilarating to read. Magic defines the events of the stories, only adding to their appeal. Great kings lead their men to victory and there is a lot of backstabbing and destruction. The suspense never ends, and the ending always leaves you wanting more. The urge to continue on to the next story is persistent and that next story is never disappointing. Geoffrey does exaggerate beyond what is humanly possible. Utherpendragon actually acquires the physical likeness of the Duke, and Arthur is able to slay hundreds of men singlehandedly in one attack. With details of troop deployments and excerpts from speeches kings deliver to their men before battle, it becomes obvious it is unlikely that the details are historically accurate. Little time is spent discussing personal relationships; most of the stories revolve around battle. The book is easy reading for the most part. Some of the details offered before any given battle are hard to understand, but they rarely have a significant impact on the course of the plot. The price is more than fair, considering the volume of the book itself and the multitude of fantastic stories. Despite the fact that the work cannot be considered a true source of history, there is still a great deal of educational value. This is one of the earlier surviving medieval works, and it is most likely the first to mention King Arthur; this is considered the source of all King Arthur tales. Based on the events in this book, the well-known »King Arthur and the Knights of the Round Table« story lines were developed. A great book to read, I submit a rating of 5 stars.
Historical and Literary Aspects
In The History of the Kings of Britain, Geoffrey of Monmouth presents a detailed history of the Britons, beginning with Brutus in the twelfth century B.C. and ending with Saxon invasion in the seventh century A.D. Through the main characters of his book, Brutus, Belinus and Arthur, Geoffrey illustrates Britain's glorious past, recalling the events in chronological sequence and providing detailed descriptions of every event, especially those strategic to the building of Britain. While Geoffrey's source has yet to be proved, in his own introduction, Geoffrey claims to follow a reliable and ancient source given to him by a friend. The lack of evidence to support this claim, coupled with the supernatural elements incorporated into The History of the Kings of Britain, makes it difficult for the modern reader to place complete trust in the text as a historical account of Britain's history. The text is, however, rich in historical value as from his writing, one can deduce much about the political structure of Britain in that time frame, as well as the sociological makeup of the nation. The emphasis on politics, war and international relations, form a rough picture of Britain's power system, and the lengthy stories revolving around his characters give the reader insight on the lives of the British nobility. The History of the Kings of Britain deserves as much credit (if not more) for its literary value as its historical one. While Geoffrey considers himself a historian, his artistic talents, fluency and extensive use of vocabulary bring his accounts to life, turning the text into an enjoyable literary piece. Especially in key passages (in particular those concerning Arthur), Geoffrey makes very fine and detailed points, often narrating livelily. Lastly, Geoffrey writes »to be read by the solitary reader, not to be declaimed aloud … recital.« While unable to resist the temptation to exalt certain characters he favor, Geoffrey is sensitive to leave much room for the reader's imagination. The experience of reading Geoffrey includes filling in the gaps in his stories with speculations of your own, giving every reader a personal »version« of the book. The History of the Kings of Britain is both an acclaimed literary piece and a famous historical account. The richness of its text lies in the careful description of the events, and the accessible style of writing. A marvelous attempt at introducing Britain's early history, the History of the Kings of Britain also provides one of the greatest accounts of the Arthurian legend.
In The History of the Kings of Britain, Geoffrey of Monmouth presents a detailed history of the Britons, beginning with Brutus in the twelfth century B.C. and ending with Saxon invasion in the seventh century A.D. Through the main characters of his book, Brutus, Belinus and Arthur, Geoffrey illustrates Britain's glorious past, recalling the events in chronological sequence and providing detailed descriptions of every event, especially those strategic to the building of Britain. While Geoffrey's source has yet to be proved, in his own introduction, Geoffrey claims to follow a reliable and ancient source given to him by a friend. The lack of evidence to support this claim, coupled with the supernatural elements incorporated into The History of the Kings of Britain, makes it difficult for the modern reader to place complete trust in the text as a historical account of Britain's history. The text is, however, rich in historical value as from his writing, one can deduce much about the political structure of Britain in that time frame, as well as the sociological makeup of the nation. The emphasis on politics, war and international relations, form a rough picture of Britain's power system, and the lengthy stories revolving around his characters give the reader insight on the lives of the British nobility. The History of the Kings of Britain deserves as much credit (if not more) for its literary value as its historical one. While Geoffrey considers himself a historian, his artistic talents, fluency and extensive use of vocabulary bring his accounts to life, turning the text into an enjoyable literary piece. Especially in key passages (in particular those concerning Arthur), Geoffrey makes very fine and detailed points, often narrating livelily. Lastly, Geoffrey writes »to be read by the solitary reader, not to be declaimed aloud … recital.« While unable to resist the temptation to exalt certain characters he favor, Geoffrey is sensitive to leave much room for the reader's imagination. The experience of reading Geoffrey includes filling in the gaps in his stories with speculations of your own, giving every reader a personal »version« of the book. The History of the Kings of Britain is both an acclaimed literary piece and a famous historical account. The richness of its text lies in the careful description of the events, and the accessible style of writing. A marvelous attempt at introducing Britain's early history, the History of the Kings of Britain also provides one of the greatest accounts of the Arthurian legend.
Kind of weird, kind of long, kind of boring but still … 
I had to read some parts of this book for class and there were times when I was so confused by the writing that I had to reread parts three or four times. At other times I had no problem understanding what was going on. Overall, it is an enjoyable read if you are interested in how biographies were written in the middle ages and if you don't take every word seriously since the author wasn't very faithful to history.
I had to read some parts of this book for class and there were times when I was so confused by the writing that I had to reread parts three or four times. At other times I had no problem understanding what was going on. Overall, it is an enjoyable read if you are interested in how biographies were written in the middle ages and if you don't take every word seriously since the author wasn't very faithful to history.
Kings indeed
With details of troop deployments and excerpts from speeches kings deliver to their men before battle, it becomes obvious it is unlikely that the details are historically accurate. Little time is spent discussing personal relationships; most of the stories revolve around battle. The book is easy reading for the most part. Some of the details offered before any given battle are hard to understand, but they rarely have a significant impact on the course of the plot. The price is more than fair, considering the volume of the book itself and the multitude of fantastic stories. Despite the fact that the work cannot be considered a true source of history, there is still a great deal of educational value.
With details of troop deployments and excerpts from speeches kings deliver to their men before battle, it becomes obvious it is unlikely that the details are historically accurate. Little time is spent discussing personal relationships; most of the stories revolve around battle. The book is easy reading for the most part. Some of the details offered before any given battle are hard to understand, but they rarely have a significant impact on the course of the plot. The price is more than fair, considering the volume of the book itself and the multitude of fantastic stories. Despite the fact that the work cannot be considered a true source of history, there is still a great deal of educational value.
keywords
- Ancient History
- Biography & Autobiography – Royalty
- British & Irish history – BCE to c 500 CE
- England
- Europe – Great Britain – General
- Great Britain
- History
- History – Europe – Great Britain
- History – World
- Legends, Celtic
- Legends – Great Britain – Early works to 1800
- Literature – Classics – Criticism
- Royalty
- To 449
- United Kingdom, Great Britain
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© 1994–2010 Sascha Hendel
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