CLAIRE BISHOP (Eds.)
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Product: Book
ISBN-10: 0-262-52464-3
ISBN-13: 9780262524643
Publisher: The MIT Press
Country:
Year: November 1, 2006
Size: 14.99 x 21.08 x 2.29cm
Number of pages: 207
Weight: 408gr
Binding: Paperback
ISBN-10: 0-262-52464-3
ISBN-13: 9780262524643
Publisher: The MIT Press
Country:
Year: November 1, 2006
Size: 14.99 x 21.08 x 2.29cm
Number of pages: 207
Weight: 408gr
Binding: Paperback
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The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential »Problems and Transformations in Critical Art.« The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London
The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential »Problems and Transformations in Critical Art.« The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London
reviews
very good 
This book arrived on time. The book was new as described by seller and had a good price.
This book arrived on time. The book was new as described by seller and had a good price.
a must for all art afficiados 
Until I read this book I could not give myself permission to have my own ideas about some of the world's greatest art pieces and give my educated opinion about them. Umberto Eco's 1st essay is a wonder!
Until I read this book I could not give myself permission to have my own ideas about some of the world's greatest art pieces and give my educated opinion about them. Umberto Eco's 1st essay is a wonder!
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© 1994–2010 Sascha Hendel
last update: 3/19/2010
URL: http://www.book-info.com/isbn/0-262-52464-3.htm
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