Writing Culture
The Poetics and Politics of Ethnography (A School of American Research advanced seminar)
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Product: Book
ISBN-10: 0-520-05729-5
ISBN-13: 9780520057296
Publisher: University of California Press
Country:
Year: April 11, 1986
Size: 16.26 x 22.35 x 2.03cm
Number of pages: 345
Weight: 340gr
Binding: Paperback
ISBN-10: 0-520-05729-5
ISBN-13: 9780520057296
Publisher: University of California Press
Country:
Year: April 11, 1986
Size: 16.26 x 22.35 x 2.03cm
Number of pages: 345
Weight: 340gr
Binding: Paperback
editions
0.) Writing Culture: The Poetics and Politics of Ethnography
James Clifford, George E. Marcus (Eds.)
University of California Press; 1986
Hardcover
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Product Description
n these new essays, a group of experienced ethnographers, a literary critic, and a historian of anthropology, all known for advanced analytic work on ethnographic writing, place ethnography at the center of a new intersection of social history, interpretive anthropology, travel writing, discourse theory, and textual criticism. The authors analyze classic examples of cultural description, from Goethe and Catlin to Malinowski, Evans-Pritchard, and Le Roy Ladurie, showing the persistence of allegorial patterns and rhetorical tropes. They assess recent experimental trends and explore the functions of orality, ethnicity, and power in ethnographic composition. Writing Culture argues that ethnography is in the midst of a political and epistemological crisis: Western writers no longer portray non-Western peoples with unchallenged authority; the process of cultural representation is now inescapably contingent, historical, and contestable. The essays in this volume help us imagine a fully dialectical ethnography acting powerfully in the postmodern world system. They challenge all writers in the humanities and social sciences to rethink the poetics and politics of cultural invention.
n these new essays, a group of experienced ethnographers, a literary critic, and a historian of anthropology, all known for advanced analytic work on ethnographic writing, place ethnography at the center of a new intersection of social history, interpretive anthropology, travel writing, discourse theory, and textual criticism. The authors analyze classic examples of cultural description, from Goethe and Catlin to Malinowski, Evans-Pritchard, and Le Roy Ladurie, showing the persistence of allegorial patterns and rhetorical tropes. They assess recent experimental trends and explore the functions of orality, ethnicity, and power in ethnographic composition. Writing Culture argues that ethnography is in the midst of a political and epistemological crisis: Western writers no longer portray non-Western peoples with unchallenged authority; the process of cultural representation is now inescapably contingent, historical, and contestable. The essays in this volume help us imagine a fully dialectical ethnography acting powerfully in the postmodern world system. They challenge all writers in the humanities and social sciences to rethink the poetics and politics of cultural invention.
reviews
An Anthropological Dead End … 
When initially published, these essays provided a salutary textual critique of anthropology. Today they read as essays whose implications are circumscribed to the work of that generation of American cultural anthropologists who developed in the shadows of modernist giants (namely Geertz). This collection represents their mid-life crisis, rather than the field of ethnography. Most of their students (and students' students) have not repeated that generation's unreflexive ethical idealism and political naivete. This progress was not a result of these essays. The exception in this book is Tyler's innovative and actually experimental proposal for »writing culture«. Otherwise, be warned. Read these critiques by baby boomer-era anthropologists with a grain of salt.
When initially published, these essays provided a salutary textual critique of anthropology. Today they read as essays whose implications are circumscribed to the work of that generation of American cultural anthropologists who developed in the shadows of modernist giants (namely Geertz). This collection represents their mid-life crisis, rather than the field of ethnography. Most of their students (and students' students) have not repeated that generation's unreflexive ethical idealism and political naivete. This progress was not a result of these essays. The exception in this book is Tyler's innovative and actually experimental proposal for »writing culture«. Otherwise, be warned. Read these critiques by baby boomer-era anthropologists with a grain of salt.
A Must For All Ethnographers 
As the title says, not only do ethnographers objectively research and write »about« cultures, in the process, they are also »writing Culture«: that is, we constitute the cultural realities even as we attempt to describe them. Language is not a transparent window through which we describe an already existing reality. language »is the maker of this world« says Fisher. Understanding this, the ethnographer is confronted with writing and its importance in the ethnographic description and analysis of cultural worlds. Self-reflexivity in writing ethnography is central to the text. Who has the authority to write Others into being? How does my position as a gendered, racial, and class subject affect my »writing-up« of culture? These are just some of the questions posed by this text, with the added bonus of some possible answers as well. A must read for anyone on the verge of conducting ethnographic research. Also a great text for qualitative research courses concerned with issues of postmodernity and postcolonialism.
As the title says, not only do ethnographers objectively research and write »about« cultures, in the process, they are also »writing Culture«: that is, we constitute the cultural realities even as we attempt to describe them. Language is not a transparent window through which we describe an already existing reality. language »is the maker of this world« says Fisher. Understanding this, the ethnographer is confronted with writing and its importance in the ethnographic description and analysis of cultural worlds. Self-reflexivity in writing ethnography is central to the text. Who has the authority to write Others into being? How does my position as a gendered, racial, and class subject affect my »writing-up« of culture? These are just some of the questions posed by this text, with the added bonus of some possible answers as well. A must read for anyone on the verge of conducting ethnographic research. Also a great text for qualitative research courses concerned with issues of postmodernity and postcolonialism.
Scholarship, Culture, Poetics and Politics: shared concerns
This collection constitutes another solid, suggestive and significant contribution to what is now one of the most dynamic arenas in the humanities and outside: Culture. The essays speak to all manner of representational practices and explore vital questions that no scholar interested in social dynamics of any kind can afford to ignore.
This collection constitutes another solid, suggestive and significant contribution to what is now one of the most dynamic arenas in the humanities and outside: Culture. The essays speak to all manner of representational practices and explore vital questions that no scholar interested in social dynamics of any kind can afford to ignore.
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