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Product: Book
ISBN-10: 0-89236-818-7
ISBN-13: 9780892368181
Publisher: Getty Publications
Country:
Year: May 1, 2005
Size: 13.97 x 20.07 x 2.29cm
Number of pages: 384
Weight: 635gr
Binding: Paperback
ISBN-10: 0-89236-818-7
ISBN-13: 9780892368181
Publisher: Getty Publications
Country:
Year: May 1, 2005
Size: 13.97 x 20.07 x 2.29cm
Number of pages: 384
Weight: 635gr
Binding: Paperback
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description
Product Description
From antiquity, when the gods and goddesses were commonly featured in works of art, through to the twentieth century, when Surrealists drew on archetypes from the unconscious, artists have embedded symbols in their works. As with previous volumes in the Guide to Imagery series, the goal of this book is to provide contemporary readers and museum visitors with the tools to read the hidden meanings in works of art. This latest volume is divided thematically into four sections featuring symbols related to time, man, space (earth and sky), and allegories or moral lessons. Readers will learn, for instance, that night, the primordial mother of the cosmos, was often portrayed in ancient art as a woman wrapped in a black veil, whereas day or noon was often represented in Renaissance art as a strong, virile man evoking the full manifestation of the sun's energy. Each entry in the book contains a main reference image in which details of the symbol or allegory being analyzed are called out for discussion. In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.
From antiquity, when the gods and goddesses were commonly featured in works of art, through to the twentieth century, when Surrealists drew on archetypes from the unconscious, artists have embedded symbols in their works. As with previous volumes in the Guide to Imagery series, the goal of this book is to provide contemporary readers and museum visitors with the tools to read the hidden meanings in works of art. This latest volume is divided thematically into four sections featuring symbols related to time, man, space (earth and sky), and allegories or moral lessons. Readers will learn, for instance, that night, the primordial mother of the cosmos, was often portrayed in ancient art as a woman wrapped in a black veil, whereas day or noon was often represented in Renaissance art as a strong, virile man evoking the full manifestation of the sun's energy. Each entry in the book contains a main reference image in which details of the symbol or allegory being analyzed are called out for discussion. In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.
reviews
Oversimplistic and information-poor 
Only the most obvious is stated, and then only in the simplest possible way, with no background information, no »story« behind each symbol, its use by particular artist at particular time in history etc. On the other hand very visual in presentation, therefore rather clear and simple, easy to understand. Recommended if you are interested in the subject on a very superficial level.
Only the most obvious is stated, and then only in the simplest possible way, with no background information, no »story« behind each symbol, its use by particular artist at particular time in history etc. On the other hand very visual in presentation, therefore rather clear and simple, easy to understand. Recommended if you are interested in the subject on a very superficial level.
A Valuable Guide to Understanding References in Paintings 
SYMBOLS AND ALLEGORIES IN ART was originally published in Italian by author Mathilde Battistini and is here resubmitted to the art loving public in a translated version courtesy of the Getty Foundation. The book is visually stunning and informative and offers a very handy reference volume for the museum visitor as well as the artist in understanding the derivation of symbols and myths and allegories that have sustained a presence in painting since the Baroque period. Well designed in a logical way, each symbol or mythological character or even still life component is fully illustrated with a full page painting and accompanied by a terse but informative few paragraphs of explanation. The fine aspect is the manner in which each painting is easily identified at the moment it is introduced, and even though a fine bibliography is found in the back of the book, for once the information necessary to make the 'connect' is right before the eyes of the viewer. This well illustrated volume is a welcome adjunct to the art history library as well as an interesting companion for the reader whose fascination in mythology is what brings them to art in the first place! Recommended. Grady Harp, February 06
SYMBOLS AND ALLEGORIES IN ART was originally published in Italian by author Mathilde Battistini and is here resubmitted to the art loving public in a translated version courtesy of the Getty Foundation. The book is visually stunning and informative and offers a very handy reference volume for the museum visitor as well as the artist in understanding the derivation of symbols and myths and allegories that have sustained a presence in painting since the Baroque period. Well designed in a logical way, each symbol or mythological character or even still life component is fully illustrated with a full page painting and accompanied by a terse but informative few paragraphs of explanation. The fine aspect is the manner in which each painting is easily identified at the moment it is introduced, and even though a fine bibliography is found in the back of the book, for once the information necessary to make the 'connect' is right before the eyes of the viewer. This well illustrated volume is a welcome adjunct to the art history library as well as an interesting companion for the reader whose fascination in mythology is what brings them to art in the first place! Recommended. Grady Harp, February 06
keywords
- Art
- Art & Art Instruction
- Art styles not defined by date
- Art treatments & subjects
- Art, European
- Art – Criticism
- Art – Reference
- Criticism & Theory
- Dictionaries
- Fine Arts – Art History
- History of art – art & design styles
- History – Symbolism
- Iconography, subjects depicted in art
- Reference
- Reference works
- Symbolism in art
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© 1994–2010 Sascha Hendel
last update: 3/20/2010
URL: http://www.book-info.com/isbn/0-89236-818-7.htm
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